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artists: 86

Alexander, Jesse
Ando,
Beard, Peter
Binder, Atelier
Bitesnich, Andreas
Blidner, Eduardo
Blum, Günter
Blumenfeld, Erwin
Breitenbach, Josef
Casan, Vicenta
Clemmer, Jean
Clerque, Lucien
Coburn, Robert
Comte, Michel
Dali, Salvador
Doisneau, Robert
Drtikol, Frantisek
Dunas, Jeff
Eichler, Wolfgang
Eugene, Frank
Gibson, Ralph
Goldin, Nan
Greene, Milton
Griesmann, Jean
Habermann, Efraim
Haenchen, Karl Ludwig
Hajek-Halke, Heinz
Halsmann, Philip
Hamilton, David
Hausmann, Raoul
Henle, Fritz
Holz, George
Honty, Tibor
Hurrell, George
Ionesco, Irina
Jacobi, Lotte
Kessels, Willy
Kettels, Nelly
Kirkland, Douglas
Kunert, Frank
LaChapelle, David
Lambert, Alix
Lawrence, Bruce
Lebeck, Robert
Leonhard, Herman
Manasse, Atelier
Mapplethorpe, Robert
Markus, Kurt
Matter, Herbert
Midenge, Daniella
Moon, Sarah
Morath, Inge
Moses, Stefan
Munkacsi, Martin
Newton, Helmut
Osterhild, Jürgen
Pache, Philippe
Raty…, Victor
Ray, Man
Reiswitz, Alexander von
Riebecke, Gerhard
Riefenstahl, Leni
Ritts, Herb
Rössler, Günter
Rubinstein, Eva
Salomon, Erich
Saudek, Jan
Sehy, Jacques
Sieff, Jeanloup
Steichen, Eduard
Stern, Phil
Stieglitz, Alfred
Swannell, John
Szekessy, Karin
TNT,
Unbekannt,
Veron, Jean-Philippe
Vogel-Sandau, Atelier
Ward, Toni
Weston, Kim
Wilhelmi, Ruth
Willinger, Laszlo
Wilp, Charles
Wolf, Piotr
Yva, (Else Ernestine Neuländer-Simon)
Zille, Heinrich
Matter, Herbert

Herbert Matter (April 25, 1907 - May 8, 1984) was a Swiss-born American photographer and graphic designer known for his pioneering use of photomontage in commercial art. The designer's innovative and experimental work helped shape the vocabulary of 20th-century graphic design.

Biography

Born in Engelberg, Switzerland, Matter studied painting at the École des Beaux-Arts in Geneva and at the Académie Moderne in Paris with Fernand Léger and Amédée Ozenfant. He worked with Adolphe Mouron Cassandre, Le Corbusier and Deberny & Peignot. In 1932, he returned to Zurich, where he designed posters for the Swiss National Tourist Office and Swiss resorts. The travel posters won instant international acclaim for his pioneering use of photomontage combined with typeface. He went to the United States in 1936 and was hired by legendary art director Alexey Brodovitch. Work for Harper's Bazaar, Vogue and other magazines followed. From 1946 to 1966 he was design consultant with Knoll Associates. He worked closely with Charles and Ray Eames. From 1952 to 1976 he was professor of photography at Yale University and from 1958 to 1968 he served as design consultant to the Solomon R. Guggenheim Museum in New York and the Museum of Fine Arts in Houston. He was elected to the New York Art Director's Club Hall of Fame in 1977, received a Guggenheim Fellowship in photography in 1980 and the AIGA medal in 1983.

As a photographer, Matter won acclaim for his purely visual approach. A master technician, he used every method available to achieve his vision of light, form and texture. Manipulation of the negative, retouching, cropping, enlarging and light drawing are some of the techniques he used to achieve the fresh form he sought in his still lifes, landscapes, nudes and portraits. As a filmmaker he directed a film on his friend Alexander Calder (with music by John Cage) for the Museum of Modern Art in 1952.

Close friends of Matter and his wife Mercedes were the painters Jackson Pollock, Willem de Kooning, fellow Swiss photographer Robert Frank and Alberto Giacometti. Matter's wife Mercedes was the daughter of the American modernist painter Arthur Beecher Carles, and was herself the chief founder of the New York Studio School.

"The absence of pomposity was characteristic of this guy," said another designer, Paul Rand, about Matter. His creative life was devoted to narrowing the gap between so-called fine and applied arts. Matter died on May 8, 1984, in Southampton, New York.


(Source: https://en.wikipedia.org/wiki/Herbert_Matter)


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