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artists: 86

Alexander, Jesse
Ando,
Beard, Peter
Binder, Atelier
Bitesnich, Andreas
Blidner, Eduardo
Blum, Günter
Blumenfeld, Erwin
Breitenbach, Josef
Casan, Vicenta
Clemmer, Jean
Clerque, Lucien
Coburn, Robert
Comte, Michel
Dali, Salvador
Doisneau, Robert
Drtikol, Frantisek
Dunas, Jeff
Eichler, Wolfgang
Eugene, Frank
Gibson, Ralph
Goldin, Nan
Greene, Milton
Griesmann, Jean
Habermann, Efraim
Haenchen, Karl Ludwig
Hajek-Halke, Heinz
Halsmann, Philip
Hamilton, David
Hausmann, Raoul
Henle, Fritz
Holz, George
Honty, Tibor
Hurrell, George
Ionesco, Irina
Jacobi, Lotte
Kessels, Willy
Kettels, Nelly
Kirkland, Douglas
Kunert, Frank
LaChapelle, David
Lambert, Alix
Lawrence, Bruce
Lebeck, Robert
Leonhard, Herman
Manasse, Atelier
Mapplethorpe, Robert
Markus, Kurt
Matter, Herbert
Midenge, Daniella
Moon, Sarah
Morath, Inge
Moses, Stefan
Munkacsi, Martin
Newton, Helmut
Osterhild, Jürgen
Pache, Philippe
Raty…, Victor
Ray, Man
Reiswitz, Alexander von
Riebecke, Gerhard
Riefenstahl, Leni
Ritts, Herb
Rössler, Günter
Rubinstein, Eva
Salomon, Erich
Saudek, Jan
Sehy, Jacques
Sieff, Jeanloup
Steichen, Eduard
Stern, Phil
Stieglitz, Alfred
Swannell, John
Szekessy, Karin
TNT,
Unbekannt,
Veron, Jean-Philippe
Vogel-Sandau, Atelier
Ward, Toni
Weston, Kim
Wilhelmi, Ruth
Willinger, Laszlo
Wilp, Charles
Wolf, Piotr
Yva, (Else Ernestine Neuländer-Simon)
Zille, Heinrich
Drtikol, Frantisek

František Drtikol (3 March 1883, Príbram - 13 January 1961, Prague) was a Czech photographer of international renown. He is especially known for his characteristically epic photographs, often nudes and portraits.

Life and work

From 1907 to 1910 he had his own studio, until 1935 he operated an important portrait photostudio in Prague on the fourth floor of one of Prague's remarkable buildings, a Baroque corner house at 9 Vodickova, now demolished. Jaroslav Rössler, an important avant-garde photographer, was one of his pupils. Drtikol made many portraits of very important people and nudes which show development from pictorialism and symbolism to modern composite pictures of the nude body with geometric decorations and thrown shadows, where it is possible to find a number of parallels with the avant-garde works of the period. These are reminiscent of Cubism, and at the same time his nudes suggest the kind of movement that was characteristic of the futurism aesthetic.

He began using paper cut-outs in a period he called "photopurism". These photographs resembled silhouettes of the human form. Later he gave up photography and concentrated on painting. After the studio was sold Drtikol focused mainly on painting, Buddhist religious and philosophical systems. In the final stage of his photographic work Drtikol created compositions of little carved figures, with elongated shapes, symbolically expressing various themes from Buddhism. In the 1920s and 1930s, he received significant awards at international photo salons.


(Source: https://en.wikipedia.org/wiki/ František_Drtikol)


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